30 Rattan and Wicker Pieces Buyers Snap Up
Woven furniture moves faster off a floor than almost anything else a dealer can fit in a van. The pieces that were hauled to the curb in 2008 now carry price tags that make longtime sellers wince, and the buyers paying them are decorators, stylists and homeowners who have decided that a room needs something breathing in it.
The trade rewards anyone who knows what breaks and what can be rewoven. Dry cane snaps under a thumbnail; supple cane flexes and returns.
Frames outrank finish, and a hand-wrapped joint tells a different story than one held by three staples.
Fan-Back Peacock Chairs

The flared back sold a generation of portrait photographs and it still clears a booth within days. Most examples circulating in the American market came out of the Philippines between the 1960s and the 1980s, built on a bent rattan pole frame with a woven reed fan lashed at the shoulders.
Check where the fan meets the seat rail, because that junction carries the load and splits there first. Reweaving a collapsed fan costs more than most chairs return, so condition governs the number.
Sound examples generally trade between 150 and 600 dollars, with taller frames and double-seat versions climbing past that when the weave is tight and the wrappings are original.
Emmanuelle Hoop Chairs

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Named for the 1974 film that put one on every poster, the hoop chair reads as a peacock cousin with a circular back instead of a fan. The good ones use a continuous bent rattan ring rather than two half rings spliced at the sides, and a spliced ring will eventually separate under a sitter’s weight.
Look at the vertical spokes: hand-wrapped binding at each crossing indicates the older Philippine production, while glued sleeves point to recent imports. Prices swing hard on scale, since a chair over five feet tall photographs better and sells accordingly.
Expect 200 to 700 dollars for intact vintage frames, less than half that for anything with a cracked ring.
Papasan Bowl Frames

The bowl and its base became dorm furniture in the 1990s, which flooded the market and ruined the average price, but the earlier Philippine frames are heavier stock and worth separating out. Weigh the piece in your hands: a dense rattan bowl with wrapped rim binding feels substantially heavier than the thin hollow-pole versions sold by chains.
Cushions are almost always the problem, since old fill compresses to nothing and new covers run 100 dollars or more. Frames alone move at 40 to 150 dollars, and a matched double version in sound condition can reach 250 to 400 when a buyer already has a cushion source lined up.
Hanging Swing Chairs

Suspended rattan seats, whether the teardrop shape or the open hoop, have become a photography prop as much as a seat, and buyers want them for porches and corners where a stand can carry the weight. The tell is the hanging point: a proper piece has a forged or welded steel ring lashed into the frame with rattan binding over it, not a rope loop tied through the weave.
Test the rim for flex, since a frame that groans will eventually fail under an adult. Vintage examples run 250 to 900 dollars depending on scale and rim condition, and a period stand adds meaningfully to that figure.
Rattan and Bamboo Bar Carts

A two-tier cart with a bamboo frame and glass or laminate shelves sells to anyone building a corner of a living room, and the format has been in production since at least the 1950s. Examine the casters, because original brass or steel wheels with rubber tires are frequently seized and replacements change the height.
Bamboo poles split lengthwise with age, and a split near a caster mount means the cart cannot carry weight. Glass shelves are replaceable at a glass shop for 40 to 80 dollars each.
Complete carts trade in the 125 to 450 dollar range, with chinoiserie fretwork versions in gold finish reaching the upper end.
Fan and Shell Headboards

Woven headboards return again and again because they solve a wall cheaply and read well in photographs. Shapes range from the tall arched fan to the flat shell with radiating spokes, and most were made as part of bedroom suites that have long since been split apart.
Measure before buying, since a piece sized for a full bed strands a queen mattress by several inches on each side and kills the sale. Check the lower rail where bolts attach to the bed frame, because that timber is often cracked from overtightening.
Queen and king headboards generally bring 150 to 500 dollars; twin and full sizes move slower and cheaper.
Cane-Back Dining Chair Sets

Sets of four or six with caned backs and upholstered seats are among the steadiest sellers in the category, and buyers are willing to overlook worn seat fabric that they intend to change anyway. The cane panel is the variable.
Hand-woven cane threaded through individual openings in the frame is repairable but expensive, running 200 dollars or more per panel; machine-woven sheet cane set into a groove with a reed spline can be replaced for 40 to 90 dollars by a competent hand. Press the center of each panel gently and listen for the dry crackle that predicts failure.
Intact sets of six bring 400 to 1,200 dollars.
Faux-Bamboo Chinoiserie Chests

Carved or turned hardwood shaped to imitate bamboo nodes appears on dressers, nightstands and chests from the 1930s onward, with a large wave of production through the 1970s. The detail to check is whether the bamboo effect is carved into solid stock or applied as separate molding strips, since applied strips pop loose and the missing pieces cannot be matched.
Original brass or bamboo-form pulls add real money; replacements drag the price down. Many were painted in lacquer colors, and buyers now accept strong color as a feature rather than a flaw.
Three-drawer nightstands run 150 to 400 dollars each, full dressers 350 to 1,200 depending on condition and finish.
Bamboo and Rattan Etageres

Open shelving units in bamboo or rattan, often with a fretwork gallery at the top, sell to anyone staging a room who needs height without visual weight. Count the shelves and check every joint where an upright meets a shelf frame, because these pieces are habitually dragged across floors and the lower joints loosen first.
Glass shelves are frequently missing entirely, and replacing five of them adds 200 dollars or more to a project. A gently used unit brings 150 to 500 dollars, and a matched pair of narrow etageres will outsell two singles because decorators want symmetry flanking a window or doorway.
Bamboo Nesting Tables

Graduated sets of three or four tables with bamboo legs and lacquered or cane tops move quickly at accessible price points, which is exactly why dealers like them. Confirm the set is complete and that the tables actually nest, since mismatched groupings assembled from separate sources are common and obvious on inspection.
Look under each top for the corner blocks: original construction uses a wood block glued and screwed into the corner, while later pieces rely on a metal bracket alone. Tops covered in laminate that has lifted at the edges can be re-covered, but the labor rarely pays.
Complete sets of three run 90 to 300 dollars.
Rattan Plant Stands and Jardiniere Bases

Tall narrow stands built to carry a fern or a cachepot have been produced continuously since the late nineteenth century, and the older ones are worth the extra look. Pre-1930 pieces frequently show wooden dowel legs wrapped in reed with a woven collar at the top, and the wrapping unravels from the ends.
Water damage is the chronic issue, since a leaking pot rots the top surface from beneath, so tip the piece and inspect the underside of the platform. Prices reflect height and drama more than age: a short stand brings 40 to 90 dollars while a tall pedestal with intact weave reaches 125 to 350.
Round Woven Rattan Mirrors

The circular mirror with a coiled or radiating rattan surround has been reproduced so heavily that many buyers cannot separate old from new, which cuts both ways for a seller. Older pieces carry a wooden backing board and a heavier plate glass mirror; recent imports use thin mirror glass on a fiberboard disc that flexes when pressed.
Sunburst forms with individual rattan rays lashed into a central ring command more than plain coiled rims. Silvering loss around the edge of an old mirror is usually acceptable to buyers and sometimes desirable.
Expect 60 to 250 dollars for genuine vintage examples, more for diameters over thirty-six inches.
Pagoda-Form and Fretwork Mirrors

Faux-bamboo mirror frames with a pagoda crest, often in gilt or a painted lacquer finish, belong to the chinoiserie side of the category and sell to a different buyer than the coastal rattan crowd. The crest is the fragile element, and a snapped finial or missing fret section is close to unrepairable without a woodcarver.
Examine the back for a chalk or pencil inventory number, which is common on mid-century decorator-grade pieces from established furniture houses. Regilding costs more than most frames justify.
Clean examples trade between 125 and 500 dollars, and a facing pair for a hallway or above a pair of chests can double the per-piece figure.
Wicker Porch Rockers

Rocking chairs in woven reed or fiber were a fixture of American porches from the 1890s through the 1930s, and survivors are getting harder to find intact. Turn the chair over and examine the rockers themselves, since a runner split at the front joint is a common failure and a repair that costs real money.
Look for the original tight weave over a hardwood frame rather than the looser machine-wrapped fiber of later production. Layers of exterior paint are normal and stripping them often destroys the reed.
Solid rockers bring 125 to 400 dollars, while pieces with broken runners or crumbling reed are parts at best.
Lloyd Loom-Style Woven Fiber Chairs

Twisted paper fiber wrapped around wire and machine-woven into sheet material produced an entire class of 1920s and 1930s seating that is lighter and more uniform than hand-woven reed. The recognition tell is the weave itself, which is unnaturally even and shows a faint metallic core if a strand is broken.
These pieces took paint well and most have been repainted repeatedly. Damp destroys them from the inside, so any chair that has lived in a basement should be pressed firmly at the seat before buying.
Armchairs in usable condition bring 100 to 400 dollars, and matched pairs or suites with a table run considerably higher.
Wicker Daybeds and Chaises

Long woven pieces built for a sun porch or conservatory move to buyers with specific rooms in mind, which narrows the market but raises the ceiling. Inspect the frame under the weave by pressing along the rails, because a daybed carries load along its length and a cracked side rail is a structural repair, not a cosmetic one.
Original cushions almost never survive, and a custom cushion for a daybed runs 300 dollars and up in plain fabric. Ornate Victorian-era examples with rolled arms and heavy curlicue work sell to collectors; plainer 1930s forms sell to decorators.
Range is wide, roughly 400 to 2,000 dollars.
Rawhide-Lashed Rattan Seating

A distinct segment of the market centers on rattan pole furniture bound at the joints with rawhide lacing rather than reed wrapping, a construction associated with the San Francisco maker McGuire and widely imitated afterward. The lacing is the identifier: real rawhide dries to a hard amber tone and shows stitched crossings pulled tight over the joint.
Frames are heavy laminated rattan with a sanded finish rather than a glossy one. Reproductions substitute a vinyl lace that stays soft and pale.
Authenticated examples carry a substantial premium over generic rattan, with chairs frequently in the 400 to 1,500 dollar range and dining sets well beyond.
Woven Pendant and Lamp Shades

Basket-form pendants in rattan, cane or split bamboo have moved from beach houses into mainstream lighting, and vintage examples sell to buyers who want something other than the current retail catalog. The practical issue is the fixture inside, since old wiring, sockets and canopies rarely meet current expectations and a rewire costs 60 to 150 dollars at a lamp shop.
Check the top opening for a proper metal collar that carries the weight; a shade that hangs from the weave itself will sag into an oval. Dust is the other enemy and a heavily soiled weave rarely cleans up. Individual pendants run 75 to 350 dollars.
Woven Wall Sconces

Wall-mounted fixtures with rattan or cane shades appeal to the same buyer as woven pendants but sell faster because they solve a wall and a light at once. Pairs are what the market wants, and a single sconce trades at well under half the pair price.
Examine the backplate for a junction box mounting strap, since a fixture built for direct wiring into an old ceramic knob system will need a new mount. Plug-in versions with a cord and a swing arm sell to renters and move quickly.
A clean pair generally brings 100 to 400 dollars, and gilt or lacquered faux-bamboo frames reach the upper end.
Folding Screens and Room Dividers

Three- and four-panel screens in bamboo frames with cane or woven panels sell to buyers hiding a doorway, a desk or a radiator. Test every hinge, because screens live folded and the hinge leaves work loose from the frame over decades; replacing them is straightforward but visible.
Panels of pressed cane webbing crack at the corners where the spline holds them, and a single blown panel can be replaced for under 100 dollars by anyone with a caning supplier. Height determines price more than decoration, since a screen under five feet does not conceal much.
Expect 150 to 600 dollars for solid four-panel examples.
Wicker Trunks and Lidded Cases

Large woven trunks with hinged lids read as furniture rather than storage, which is why decorators put them at the foot of a bed or under a window and buyers pay accordingly. Check the lid for sag and the hinge rail for pulled screws, since the lid weight works against the weave over time.
Leather or canvas corner reinforcements and a functioning hasp add value; missing corners look unfinished and cannot be matched. Interior paper linings are often torn and buyers do not care. Prices run 100 to 400 dollars, with early travel-form cases reaching higher when old labels or shipping tags remain legible.
Wicker Doll Prams and Carriages

Small woven carriages on spoked wheels have shifted from toy collectors to decorators who put them in a nursery or a corner with a plant in them. The wheels are the fragile component, and a pram with a bent axle or a missing wheel loses most of its value immediately because matched replacements do not exist.
Examine the handle wrapping and the body where it meets the undercarriage, which is where reed cracks. Early examples show wooden wheels with steel tires; later ones use stamped metal.
Condition spread is enormous here, from 40 dollars for a damaged body to 300 or more for a complete carriage with intact wheels.
Woven Magazine Racks

Small floor racks with a divided compartment and a carry handle sit at the accessible end of the category, which makes them reliable booth filler that actually sells. Look for the wrapped-joint construction of older pieces rather than the glued and stapled corners of recent imports, and check the base where the piece has been dragged across carpet.
Bamboo versions with a lacquered finish in black or gold cross over to the chinoiserie buyer and bring more than plain natural reed. Many were sold as a set with a wastebasket, and matched groupings do better.
Individual racks trade at 25 to 90 dollars, pairs and sets somewhat higher.
Bamboo Home Bars and Counters

Freestanding bars with bamboo pole framing, a woven front panel and a laminate or cane-clad top belong to the tiki-influenced production of the 1950s and 1960s and have a devoted buyer base. Inspect the top surface first, since these were built for use and years of glasses leave water damage that cannot be sanded out of cane.
The kick rail and lower shelf take abuse and their joints often need rewrapping.
Original matching stools multiply the value, and a bar with two or four period stools sells as a unit. Bars alone run 300 to 1,200 dollars; complete sets with seating reach well past that.
Cane-Webbing Cabinet Fronts and Consoles

Sideboards, credenzas and media cabinets with pressed cane webbing set into the door frames have been in continuous demand, and buyers want them because the webbing hides electronics while letting a remote signal through. Inspect the webbing from inside the cabinet, where sun damage and cracking show earlier than on the face.
A blown panel is a 50 to 120 dollar repair per door if the groove and spline are intact, which keeps otherwise sound pieces viable. Solid wood cases with cane fronts outperform veneered particleboard by a wide margin.
Credenzas generally trade at 300 to 1,100 dollars depending on case construction and webbing condition.
Lidded Wicker Hampers Used as Decor

The tall lidded hamper has been repurposed by buyers as a side table, a blanket chest and a bathroom accent, and the decorative market pays more than the utility market ever did. Painted examples in strong color sell faster than natural reed, and buyers accept old paint readily.
Check the lid hinge, usually a simple reed or leather loop that has broken on most surviving pieces, and check the base rim where damp has flattened the weave. A lid that does not sit level is the single fastest way to lose a sale.
Prices run 40 to 175 dollars, higher for unusual shapes or a fitted interior tray.
Rattan Desks and Vanity Tables

Writing desks and vanities with rattan or bamboo framing and a cane, glass or laminate writing surface sell to buyers furnishing a bedroom corner or a home office they want to look unlike an office. Confirm drawer function before anything else, since wooden drawers in a light rattan case rack out of square and stick permanently.
Mirrors on vanity pieces are frequently detached and lost, and a missing mirror costs the piece a third of its value. Original glass tops are often chipped at a corner and can be replaced cheaply.
Desks and vanities in working order bring 200 to 700 dollars.
Bentwood and Cane Bistro Chairs

Steam-bent beech frames with pressed cane or woven cane seats trace to the Thonet workshops of the nineteenth century and to the many firms that followed the method, and cafe seating of this type keeps its audience. Check the underside of the seat ring for a stamped or branded mark and for the original screw pattern, since rebuilt chairs show plugged and redrilled joints.
Loose joints on bentwood are normal and reglue well; cracked bends do not. Caned seats fail in the center and replacement runs 60 to 200 dollars depending on method.
Singles trade at 60 to 200 dollars, sets of four considerably more per chair.
Rattan Ottomans, Stools and Poufs

Low woven seats work as footrests, extra seating and side tables, and buyers treat them as flexible pieces that suit any room, which keeps demand steady. Turn each one over and look for an internal wooden or metal frame, because a purely woven form with no frame flattens under regular use and cannot be brought back.
Wrapped rims at the top edge protect the weave and their absence predicts fraying. Upholstered tops on rattan bases sell well and reupholstery is cheap on a piece this size.
Individual stools run 40 to 150 dollars, while a pair of framed ottomans with sound weave reaches 200 to 400.
Woven Table Lamp Bases

Lamp bases in rattan, cane or wrapped reed sell to buyers assembling a room rather than a collection, and they sell best in pairs. The wiring question determines whether a base is stock or a project, and a full rewire including socket, cord and harp runs 45 to 120 dollars at a shop.
Check the base for a weighted interior, since a light woven body without added weight tips over when a large shade goes on. Original shades are rarely worth keeping.
Single bases trade at 50 to 200 dollars, matched pairs at 175 to 600 depending on scale and weave quality.
What the Weave Is Really Selling

The market for woven furniture is not nostalgia, whatever the staging photographs suggest. Buyers are chasing texture in rooms that have been sanded smooth by a decade of flat surfaces and matte paint, and rattan delivers that texture at a price no upholstered alternative can match.
The pieces that command real money are the ones where a person clearly spent hours wrapping a joint that a machine would have stapled.
That is also the working rule for anyone buying to resell. Construction survives fashion, and the frames built to be sat in for fifty years are still sitting in living rooms while the glued imports of 2015 have already gone to the landfill.
Learn the difference at the joint, price the repairs honestly, and the rest of the category takes care of itself.
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